The artist creates each edition on the computer. After a proofing process, and inspection, the artist pulls an artist’s proof, to make sure the image is exact. The edition is then run, and each print is carefully inspected. The digital file is destroyed after the edition is completely run, to ensure that one edition of a limited number of original signed prints exist.
Michael St. Amand’s electronic digital work has been seen on AOL, MSN, PrixArs Electronica and the RT Mark installation at the Whitney Museum of American Art Biennial in 2000. [St. Amand’s digital prints are printed on archival paper with archival inks.]